Bowl with a Horseman Spearing a Serpent
Medium: Tin-glazed earthenware
Dimensions: Overall: 3 5/8 x diam. 17 5/16 in. (9.2 x diam. 44 cm)
depth of dish: 3 in. (7.6 cm)
Classification: Ceramics
Credit Line: Gift of George Blumenthal, 1941
This beautiful bowel represents the victory of good over evil by showing a horseman attacking a serpent. It’s complex decorations and vivid colors, which were produced using tin-glazed earthenware, demonstrates how Islamic ceramic skills influenced medieval Spain. The dynamic figures and symmetry of the design exhibit a mastery of craftsmanship, combining artistic improvement with practical functionality. While the outside rim has wonderful geometric designs, the serpent, twisted around the horseman’s spear, adds a dramatic element. This sculpture shows the cultural contact between Islamic and European artists during the age of Al-Andalus, spreading artistic traditions across regions.
Helmet (Sallet)
Medium: Steel, iron, gold, silver, cloisonné enamel, leather, textile
Dimensions: H. 7 7/8 in. (20 cm); W. 8 1/8 in. (20.6 cm); D. 10 1/2 in. (26.7 cm); Wt. 3 lb. 12 oz. (1702 g)
Classification: Helmets
Credit Line: From the Lord Astor of Hever Collection, Purchase, The Vincent Astor Foundation Gift, 1983
This elaborate Sallet displays the wearer’s high rank and refined taste while combining luxury and efficiency. The helmet, which is made of iron and steel for safety, has been decorated with cloisonne enamel, gold, and silver, and has complex geometric and floral patterns. These decorative elements, which were probably inspired by Islamic metalwork, show how Europeans and Andalusians shared ideas and methods. Because of its lightweight construction, the Sallet served as a symbol of its owner’s power and status in addition to being useful in battle. This piece, which is a memorial to medieval craftsmanship, is a prime example of how artistic and military traditions came together during a time when the Christian and Islamic cultures were interacted culturally.
Pyxis
Medium: Elephant ivory
Dimensions: Overall: 4 5/8 x 4 1/8 in. (11.7 x 10.5 cm)
Classification: Ivories-Elephant
Credit Line: The Cloisters Collection, 1970
This small ivory container, called a Pyxis and it was used to store important and expensive belongings like presume and Jewelry. It is decorated with beautiful, detailed carvings of plants, animals, and scenes from courtly life, which shows the wealth and power of it’s owner. It was made in Al-Andalus, this pyxis reflects the skill of artists who could create very complicated designs on a small surface. Pyxis like this were often given as special gifts, showing connection between cultures through trade and diplomacy. The delicate carvings demonstrate the mix of artistic styles in medieval Spain, where Islamic, Mediterranean, and European traditions blended.
Incense Burner
Medium: Bronze; cast, chased, and pierced
Dimensions: H. 9 3/4 in. (24.8 cm)
Classification: Metal
Credit Line: Purchase, Joseph Pulitzer Bequest, 1967
This bronze incense burner was used to hold burning incense, releasing fragrant smoke through its detailed cut out designs. The patterns, inspired by Islamic art, include geometric shapes and floral motifs. Those burners were more likely used in religious ceremonies and homes, creating a calming and spiritual atmosphere. This piece shows the skill of Al-Andalus metalworkers, who combined functionality with beauty. Those metalworkers were so creative to make such a beautiful piece as this one and they inspired other metal workers with their work. The detailed design and elegant shape demonstrate the importance of incense in daily life and its connection to cultural and religious traditions in Islamic Spain.
Capital with Acanthus Leaves
Medium: Marble; carved in relief
Dimensions: H. 14 1/2 in. (36.8 cm)
Classification: Sculpture
Credit Line: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915
This marble capital was used at the top of column to support arches or beams. It is carved acanthus leaves are a classic design element, originally from ancient Roman art, but here they are reimagined with Islamic influences. The detailed carving shows the creativity and precision of Al-Andalus artisans. Capitals like this were not only functional but also decorative, adding beauty to buildings. This piece reflects the cultural exchange between the Mediterranean world and Islamic Spain, where traditions from different regions were blended to create unique works of art. It also shows how Al-Andalus architects focused on balance and harmony, blending artistic beauty with practical design.
Panel from a Rectangular Box
Medium: Ivory; carved, inlaid with stone with traces of pigment
Dimensions: H. 4 1/4 in. (10.8 cm)
Classification: Ivories and Bone
Credit Line: John Stewart Kennedy Fund, 1913
The carved ivory panel was once part of a beautiful box used to store valuable items. It has detailed designs of plants, flowers, and animals, with small stones for extra decoration. Some traces of paint remain, showing that it was originally colorful. Boxes like this were made for wealthy people and showed their high status. This artwork reflects the skill of Al-Andalus artisans, who combined Islamic and local Mediterranean styles. It is both functional and artistic, representing the luxury and creativity of the time.
Textile Fragment
Medium: Silk; lampas
Dimensions: Textile: L. 10 5/8 in. (27 cm)
W. 21 1/4 in. (54 cm)
Classification: Textiles-Woven
Credit Line: Rogers Fund, 1918
This piece of fabric is a great example of the weaving skills of Al-Andalus. Made from silk using a special method called lampas, it has bright colors, detailed patterns, and Kufic script—a decorative style of Arabic writing. Textiles like this were used for clothing, furniture, or special ceremonies and were often symbols of wealth and status. This fabric’s Arabic text may have had a cultural or religious significance. Al-Andalusian silk was extremely valuable and traded throughout the Islamic world and Europe. The example given shows the significance of textiles in Al-Andalus’ daily life and economics.
Folio from a Qur’an Manuscript
Medium: Ink, opaque watercolor, and gold on parchment
Dimensions: H. 21 1/16 in. (53.5 cm)
W. 22 in. (55.9 cm)
Classification: Codices
Credit Line: Rogers Fund, 1942
This page from a Qur’an shows the incredible artistry of Al-Andalus. The writing, called Kufic script, is bold and clear, and it is decorated with gold and colorful designs. The artists carefully spaced the words to create a sense of balance and calm, reflecting the deep respect for the Qur’an. Surrounding the text are geometric patterns and small decorative details, highlighting the skill of the calligraphers. Qur’ans like this were not only sacred books but also works of art that were highly valued. This page is a great example of how faith and creativity were deeply connected in Al-Andalus.
